Mapping Visual Attention of Duo Musicians During Rehearsal of Temporally-ambiguous Music

L. Bishop; Carlos Eduardo Cancino Chacon; Werner Goebl

Mapping Visual Attention of Duo Musicians During Rehearsal of Temporally-ambiguous Music

L. Bishop
, Carlos Eduardo Cancino Chacon
, Werner Goebl

Institute of Computational Perception

Research output: Chapter in Book/Report/Conference proceeding › Conference proceedings › peer-review

Abstract

This study mapped the course of duo musicians’ body gestures and visual attention as they coordinated performances of an unfamiliar, temporally unpredictable piece of music. The aim was to determine under what conditions musicians look at each other (e.g. when certainty of the co-performer’s intentions is low), where they focus (e.g. on the face, body, or instrument), and whether coordination improves when visual communication is possible.

Original language	English
Title of host publication	Proceedings International Symposium on Performance Science (ISPS 2017)
Number of pages	1
Publication status	Published - Apr 2017

Fields of science

202002 Audiovisual media
102 Computer Sciences
102001 Artificial intelligence
102003 Image processing
102015 Information systems

JKU Focus areas

Computation in Informatics and Mathematics
Engineering and Natural Sciences (in general)

Cite this

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title = "Mapping Visual Attention of Duo Musicians During Rehearsal of Temporally-ambiguous Music",

abstract = "This study mapped the course of duo musicians{\textquoteright} body gestures and visual attention as they coordinated performances of an unfamiliar, temporally unpredictable piece of music. The aim was to determine under what conditions musicians look at each other (e.g. when certainty of the co-performer{\textquoteright}s intentions is low), where they focus (e.g. on the face, body, or instrument), and whether coordination improves when visual communication is possible.",

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AB - This study mapped the course of duo musicians’ body gestures and visual attention as they coordinated performances of an unfamiliar, temporally unpredictable piece of music. The aim was to determine under what conditions musicians look at each other (e.g. when certainty of the co-performer’s intentions is low), where they focus (e.g. on the face, body, or instrument), and whether coordination improves when visual communication is possible.

M3 - Conference proceedings

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