Abstract
In the expressive performance of music variation of tempo
plays a major role in shaping and structuring the piece.
We distinguish two aspects of tempo, the current tempo
and the timing of individual notes with respect to the current
tempo. Those two notions are influenced differently
by the characteristics of the performed score. The relation
between score and timing/tempo has many facets,
one of which we examine more closely in the following.
More precisely we provide experimental evidence for the
hypothesis that timing is more aptly modeled with score
characteristics from a small temporal score context, while
tempo modeling profits from a bigger temporal score context.
Original language | English |
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Title of host publication | Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC 2008), Sapporo, Japan. |
Number of pages | 6 |
Publication status | Published - 2008 |
Fields of science
- 102 Computer Sciences
- 102001 Artificial intelligence
- 102003 Image processing
- 102015 Information systems
- 202002 Audiovisual media