Abstract
Emotions constitute an important aspect when listening to music. While manual annotations from user studies grounded in psychological research on music and emotions provide a well-defined and fine-grained description of the emotions evoked when listening to a music track, user-generated tags provide an alternative view stemming from large-scale data. In this work, we examine the relationship between these two emotional characterizations of music and analyze their impact on the performance of emotion-based music recommender systems individually and jointly. Our analysis shows that (i) the agreement between the two characterizations, as measured with Cohen’s κ coefficient and Kendall rank correlation, is often low, (ii) Leveraging the emotion profile based on the intensity of evoked emotions from high-quality annotations leads to performances that are stable across different recommendation algorithms; (iii) Simultaneously leveraging the emotion profiles based on high-quality and large-scale annotations allows to provide recommendations that are less exposed to the low accuracy that algorithms might reach when leveraging one type of data, only.
| Originalsprache | Englisch |
|---|---|
| Titel | Proceedings of the 32nd ACM Conference on User Modeling, Adaptation and Personalization (UMAP 2024) |
| Seitenumfang | 5 |
| Publikationsstatus | Veröffentlicht - 2024 |
Wissenschaftszweige
- 202002 Audiovisuelle Medien
- 102 Informatik
- 102001 Artificial Intelligence
- 102003 Bildverarbeitung
- 102015 Informationssysteme
JKU-Schwerpunkte
- Digital Transformation
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